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London England, United Kingdom. Galerie Max Hetzler London. The artist became interested in photography in the early s, presenting his works in a way that countered contemporary convention: large-scale, and in artist-built frames, they became architectural objects. The tall refective glass surfaces engage the viewer in the present moment and through their sheer scale the works embed themselves in the built environment around them.
The photographs shown in this exhibition are intimate portraits of transient moments and spaces of temporary inhabitance. Installed at the gallery this motif is mirrored by the room's own architecture.
The exhibition also features early paintings whose strong block colours emphasize the notion of seriality, repetition, gesture and tactility. The neatly stacked painted aluminium panels of Untitled , call to mind Minimal Art.
Yet they also deny the conventions of that movement in the highly visible, energetic brushstrokes. Together with the bronze wall relief Untitled , , the artist's direct contact with the material is evident and experimental, particularly in the depressions and elevations of the cast bronze.