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After studying with Karlheinz Stockhausen in Cologne, Vivier became an innovative member of the "German Feedback" movement, a subset of what is now known as spectral music.
Between and , Vivier traveled to Egypt, Japan, Iran, Thailand, Singapore, and Bali , where he came under the influence of aspects of their respective traditional musics. Despite working at a slow pace and leaving behind a small oeuvre , Vivier's musical language is vast and diverse. His place in the spectral movement of Europe allowed for manipulations of the harmonic series , and led to music that incorporated microtones to replicate these frequencies ; a compositional technique he would later refer to as the jeux de couleurs.
The themes of Vivier's pieces are largely seen as autobiographical β often centering around loneliness and ostracization, the search for love and companionship, and the voyaging of foreign lands. Vivier was openly gay. After ending his relationship with Christopher Coe , his long-term partner, Vivier frequented Parisian gay bars from where he solicited male prostitutes, one of whom violently attacked him in January Despite warnings from friends and his own increasing paranoia over his safety, Vivier continued to engage in the same behavior.
On the night of 7 March, Vivier was killed by a serial murderer who routinely deceived gay men in The Marais in order to rob and assault them. Vivier would posit in later years, however, that he was likely not of French Canadian heritage. Or something like that, something very romantic. He always said he spoke good German and good Italian because he had a natural connection with those two languages as he had some Italian and some Jewish German blood in his veins".
At the age of eight, Vivier was raped by his adoptive uncle, Joseph. We lived two streets away from [Claude]. I remember we heard him singing very loudly when he passed by on the pavement in front of our house. I was in service at Mass with him. Young people made fun of him because he was so out of the ordinary.