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M isplaced pride may have clouded my memories of learning the piano as a kid in the early 90s. I can still picture the piano itself, a knackered upright that was so old it had brass candleholders. I definitely remember my teacher, Issie, a local jazz musician. Maybe even four? That made two of us. In a marriage of cutting-edge and year-old technology, the piano is riding high.
The amateur reality show The Piano, which returns to Channel 4 for a second series next month with Lang Lang as a judge, has reinforced its status as an accessible instrument for all ages. And the interest that surged in lockdown shows no sign of slackening. I settled on a digital Yamaha the headphones option seemed wise in our knocked-through living space.
That all changed when I noted that the piano came with a free trial for Flowkey. After hours of practice of the sort I used to avoid, I can play, to varying degrees of competence, songs by musicians as diverse as Handel and Billie Eilish.
Flowkey, which works on a phone or tablet, is fiendishly clever, with sections for courses and songs. So when I play the right, say, F-sharp, a green tick flashes above the note on the five lines of the stave, which also scrolls automatically across the screen as I play.
I can select a section to repeat with one or both hands, and the scrolling pauses when I play a duff note or chord, allowing me to correct myself. I have a go at the next course but soon grow impatient and dip into the songs. Each song has been presented as up to four arrangements from beginner to pro level. It took years to perfect the interface and build relationships with music rights holders, but Flowkey took off when tech advances coincided with the pandemic and millions of us were suddenly confined to our homes and looking for ways to distract ourselves.