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He currently teaches at the Akademie der Bildenden Kunste, and serves architect-consultant at the Urban Commission of Berlin the "Beirat fur Stadtgestaltung" ; and the Urban Commission of Salzburg the "Gestaltungsbeirate". For a long time, he has been particularly interested in studying the urban problems especially concerning suburbia.
His projects are regularly published in architectural magazines and newspapers. Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness. There is neither a singular point of view, nor any preferred direction for viewing the architecture of Italian-born Massimiliano Fuksas.
Always attentive to materials, Fuksas chooses those that, while classic, are rediscovered, used differently, and rendered unconventional in his hands. One such material is the tuff, an ancient volcanic stone discovered by the Etruscans. At the Fuksas-designed Cemetery in Orvieto, Italy, the tuff is cut at degree angles and used "dry," without cement between each block.
Zinc can be found in several projects: prelacquered black for his Media Library in Reze, all white for Saint-Exupery College in Noisy-le-Grand, or natural for the large "wave" of housing in Candie Saint-Bernard, a stone's throw from the Bastille. Other examples include the pre-oxidized copper for the Arts Center in Bordeaux and the Cor-ten steel for the great wings of that strange prehistoric animal at the entrance of the Cave Painting Museum in Niaux, in the Pyrenees.