In traditional sound reinforcement systems, there is no way to accurately locate sound sources unless the listeners are at the center of the venue. Almost every seat becomes a privileged position. Cookies help us to better understand user behavior including for security and fraud prevention purposes, tell us which parts of our websites people have visited, and facilitate and measure the effectiveness of advertisements and web searches.
Learn More. Thanks to the new technologies serving the performing arts, we are beginning to achieve an unprecedented level of quality and we will continue the quest and innovate as we refine the system in the future. This is probably the most advanced platform to date for spatial sound mixing and immersive creation. Versatile, and Adaptable to Any Live Show Within Seconds We wanted to build a system that would be able to adapt to any live show and any concert β even the most acoustically and sonically challenging.
Frederic Biessy Director La Scala. Bringing Spectators Closer to The Intimacy of The Actors Under the growing influence of cinema, the work of actors on theater stages has evolved considerably over the past 50 or 60 years.
But if the actors are now almost always equipped with microphones, are we β as spectators β obliged to suffer the sound of voices whose depth, and spatial nuances seem to have disappeared in favor of a certain form of monophony? It recreates a wavefront by superimposing secondary sound waves emitted by a loudspeaker array.
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