To browse Academia. In the context of new photographic technologies and heightened television spectatorship, it asks how journalists and photographers including Frank Horvat, Guy Bourdin and Fouli Elia envisaged the body in space, as it related to actual and metaphorical places and spatialisations. In contrast to photographs of old, iconic, and static Paris which traditionally upheld the symbolic construction of haute couture , these images visualised modern Paris in perpetual construction and expansion.
In spite of this, in mids France, women began to achieve long-awaited legislation for their rights and the family planning movement gained ground. The concurrent, large-scale development of the French readymade industry, with its own ties to industrial production and notions of progress, cast another layer onto imagery.
For instance, adaptable, standardised clothing such as shift dresses and suits, were pictured in ways that corresponded to ambiguous modernist architectural settings, that blurred the boundaries between public, residential and professional, or that rendered bodies anonymous in relation to threatening, panoptic architectural spaces.
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Remember me on this computer. Enter the email address you signed up with and we'll email you a reset link. Need an account? Click here to sign up. Critique has focused on the psychoanalytic underpinnings of this concept as well as the privileging of gender over other aspects of identity e. The idea of the gaze โ whether male or female โ has proved incredibly fruitful in making sense of the fashioned body. Petra Collins, freethenipple, Emily Ratajkowski. Activists on the street have used their own fashioned bodies as a site for articulating protest, through movements such as Femen and Slutwalk, with these protests, in turn, being subject to critique on social media for their privileging of white, heteronormative bodies.
