Jan-Peter E. Have you watched it until the upper rim of its disc, skimming the surface of the water, is just about to disappear? Very likely you have: but did you notice the phenomenon that occurs at the very instant the heavenly body sends forth its last ray, which, if the sky be cloudless, is of unparalleled beauty?
No, perhaps not. Well, the first time you have the opportunity of making this observation, and it happens but rarely, it will not be, as one might think, a crimson ray that falls upon the retina. It will be green, a most wonderful green, a green that no artist could ever obtain on his palette, a green the likes of which neither the varied tints of vegetation nor the shades of the most limpid sea could ever produce!
He studied fine arts, art history, music theory, composition, philosophy and cognitive science. His mostly spatial works are shown and performed worldwide.
In Rundfunk Aeterna β a radio opera was commissioned by the documenta Emerging connections between biosphere and technosphere. Conceived as a work in progress, this project has also been joined by new contributions from Matadero Madrid and the Royal Academy of Arts in London England to echo the new environmental challenges tackled by the most transversal contemporary artistic practices.
The results of the different exhibitions are shown in a catalogue Eco-Visionaries Art, Architecture, and New Media after the Anthropocene published by the Hatje Cantz publishing house which, in addition to the essays by the curators, has contributions from experts in various disciplines such as Linda Weintraub, Amale Andraos, Matthew Fuller and T. She has curated countless exhibitions of new media art, including Eco-Visionaries , which is currently on view at Laboral.
